I am Alekhya Punjala, a devoted luminary in the ethereal realm of southern classical dance, where my life’s odyssey has been an ardent tribute to the sublime art of Kuchipudi and Bharatanatyam. For over four decades, I have immersed myself in the profound depths of these dance forms, weaving a tapestry of tradition, innovation, and cultural reverence that resonates across continents. My journey, which commenced under the tutelage of luminaries like the late Shri Dayal Sharan and Dr. Uma Rama Rao, has been a ceaseless quest to embody the quintessence of abhinaya—the expressive soul of dance—while preserving its ancient heritage for posterity.

As a venerated exponent, I have been adorned with illustrious accolades, including the prestigious Sangeet Natak Akademi Award (2011) for Kuchipudi, the Ugadi Vishishta Puraskar (2002), and the Hamsa Award (2002) by the Government of Andhra Pradesh, each a testament to my unwavering commitment to the art. My performances have graced the most revered stages, from the hallowed Khajuraho and Konark Festivals to international platforms in the United States, Germany, Mauritius, and beyond, often under the aegis of the Indian Council for Cultural Relations (ICCR). These renditions, lauded by critics and connoisseurs alike, have brought to life mythological heroines such as Satyabhama, Rukmini, and Draupadi, earning me accolades like “bewitching” and “superb” from The Hindu for my portrayal of characters like Lakuma and Radha.

My scholarly pursuits are as fervent as my performances. A graduate in English Literature, Psychology, and Philosophy, I hold a postgraduate degree in Ancient Indian History, Culture, and Archaeology and a Ph.D. for my seminal work on Kshetrayya Padams and their significance in Kuchipudi’s abhinaya. My academic tenure at Potti Sreeramulu Telugu University, where I served as Professor of Dance, Dean of Fine Arts, and the first woman Registrar in its 32-year history, reflects my dedication to nurturing the next generation of artists. Through TRISHNA, my center for performance, research, and publications, I endeavor to perpetuate the legacy of Kuchipudi by mentoring young talents and presenting both traditional and contemporary compositions.

My global forays—spanning the USA, UK, Syria, Germany, and Mauritius—have not only showcased the universality of Indian classical dance but also included lecture-demonstrations at universities, delving into the intricacies of Kuchipudi and Bharatanatyam. As a choreographer, I have revived ancient dance dramas like Sasirekha Parinayam and crafted ballets on themes ranging from Annamacharya’s compositions to social advocacy, earning widespread acclaim. For me, dance is not merely an art; it is a transformative, redemptive, and intoxicating force—a samadhi where my body, mind, and soul converge in perfect harmony, offering a complete expression of my being.

Alekhya Punjala

Southern Classical Dancer (Kuchipudi & Bharatanatyam)

Early Life and Foundational Influences

Alekhya’s tryst with art began in the tender years of childhood, where she was exposed to a milieu brimming with classical aesthetics, literature, and disciplined artistry. This fertile environment was pivotal in shaping her sensibilities, nurturing her innate affinity towards dance and academic excellence.

A Tapestry of Academic and Artistic Achievements

Alekhya Punjala’s academic credentials are as illustrious as her performances. She holds a graduate degree in English Literature, complemented by studies in psychology and philosophy, which imbue her artistry with a depth of emotional and intellectual resonance. Additionally, she possesses a bachelor’s degree in dance (Bharata Natyam) and an Osmania University postgraduate degree in ancient Indian history, culture, and archaeology. This rich academic foundation informs her approach to Kuchipudi, allowing her to weave historical and cultural narratives into her performances with unparalleled authenticity.

Her scholarly pursuits culminated in a PhD, awarded for her seminal work, Kshetrayya Padams – Their Importance in the Abhinaya Aspect of Kuchipudi Dance, A Historical Perspective. This dissertation not only underscores her expertise in the technical and expressive elements of Kuchipudi but also highlights her role as a historian and researcher dedicated to uncovering the nuanced layers of this classical dance form. Alekhya’s academic engagements extend to her lectures on the compositions of luminaries such as Annamacharya, Kshetrayya, Jayadeva, and Sarangapani, as well as the broader techniques of Kuchipudi, delivered at prestigious institutions and universities across India and abroad.

Acclaim from Esteemed Voices

Alekhya’s artistry has garnered effusive praise from critics, scholars, and connoisseurs alike. The Hindu, a leading national daily, in its October 2, 2006 edition, lauded her portrayal of Radha, noting, “Alekhya looks great as Radha and her movements on the stage and the many adavus she uses earned grace for the character of Radha. She underplays the role to elevate its dignity.” This review encapsulates her ability to embody mythological figures with a refined elegance that enhances their narrative significance.

On June 29, 2007, The Hindu further extolled her versatility, describing her as “superb and bewitching, both in her drama as well as dance.” The review highlighted her transformative presence, which “changed the total complex of the drama,” particularly through her innovative solo techniques and portrayals of mythological heroines in dance ballets. Her rendition of Satvika Abhinaya has been recognized as a hallmark of her craft, earning her a distinguished reputation among the younger generation of Kuchipudi exponents, alongside luminaries such as Padmashri Vedantam Satyanarayana Sharma and the late Shri Pasumarthi Krishnamurthy.

Alekhya’s contributions have not gone unnoticed by the global artistic community. Her performances and lectures at seminars and conferences have earned her widespread acclaim from great masters, scholars, and rasikas (connoisseurs of art), cementing her status as a revered figure in the world of classical dance.

Her work continues to inspire aspiring dancers, scholars, and art enthusiasts, ensuring that the legacy of Kuchipudi remains vibrant and relevant in the modern era. Alekhya Punjala is not merely a performer; she is a custodian of tradition, a scholar of history, and a visionary artist whose contributions will resonate for generations to come.

An Artistic Odyssey: A Timeless Journey Through Dance- Forty Years of Grace, Devotion, and Cultural Brilliance

A Prodigy in Motion: From Disciple to Doyenne

Dr. Alekhya Punjala’s tryst with classical dance began not as an aspiration but as an innate calling. Initiated into the world of rhythm and expression at a tender age under the sacred mentorship of the Late Shri Dayal Sharan, her journey unfurled with relentless discipline and divine dedication. As she evolved under the esteemed guidance of Dr. Uma Rama Rao, a revered maestro herself, Alekhya transformed into an artist of formidable repute in both Kuchipudi and Bharatanatyam.

A Global Beacon of Indian Classical Heritage

With nearly four decades of unbroken artistic pursuit, Alekhya has become a custodian of Indian classical identity on global stages. Her performances, renowned for their aesthetic purity and philosophical undertones, have captivated audiences across continents. From the United States, the United Kingdom, Germany, and Poland to Lebanon, Qatar, Syria, and Mauritius, her spellbinding renditions transcend linguistic and cultural divides, embodying a universal resonance of emotion and elegance.

Her artistry is not simply performed—it is invoked, often under the aegis of the Indian Council for Cultural Relations (ICCR) and esteemed cultural forums, where she continues to serve as a living emissary of Indian spiritual and performative tradition.

A Constellation of Accolades

Dr. Alekhya Punjala’s unwavering commitment to dance has been etched into history through a constellation of prestigious honors:

Exalted Performances, Everlasting Impressions

Whether performing on sacred Indian soil or amidst foreign cultural landscapes, Alekhya’ s refined technique and emotive magnetism remain consistent. Her mastery of abhinaya (expression) and nritta (pure dance) has continually earned her acclaim as an artist of the highest calibre—one who does not merely entertain but elevates consciousness. Her recitals are often remembered long after the curtains fall, echoing within the hearts of audiences as divine invocations rather than temporal spectacles.

Stellar Performances: A Chronicle of Transcendent Artistry –Where Mythology Dances, and History Finds Rhythm

An Empress of Expression on the World’s Most Illustrious Stages
Among the constellation of celebrated dancers, Dr. Alekhya Punjala shines as an iridescent star whose presence commands reverence and awe. Her repertoire spans the most prestigious cultural festivals and classical conclaves, where her performances are celebrated not merely as entertainment but as spiritual offerings wrapped in artistry.

A two-time honored performer at the renowned Khajuraho Dance Festival, Alekhya has etched her name into the historic stones of one of India’s greatest temples of dance. This platform—reserved for the most esteemed and refined artists—became a vessel for her soul-stirring interpretations and emotionally charged abhinayas.

A Tapestry of Celebrated Appearances

Her journey has graced some of the most distinguished and sought-after festivals and cultural arenas, including: Haridas Samaroh, Kalidas Samaroh, Kuchipudi Mahotsa, Soorya and Konark Dance Festivals , Nishagandhi Festival , Natyanjali , Siddhendra Yogi Festival , Parangat and Kalakshetra, Nritya Sammelan, Mauritius Sangeet Utsav ,Vishwaroopa and Kuchipudi Dance Festival.

These stages, revered for curating only the highest caliber of classical excellence, have witnessed Alekhya’s seamless synthesis of tradition and transcendence, earning her the admiration of both global audiences and scholarly critics.

What distinguishes Alekhya Punjala’s artistic voice is her transformative embodiment of mythological and historical heroines. Through evocative expression and nuanced characterization, she breathes life into timeless feminine divinities and legendary women:

Satyabhama (the embodiment of pride and love), Mandakini, Mandakini (a river-like stream of grace,) Thilla Kali (fierce and divine), Draupadi (regal yet wounded), Radha (ethereal with longing), and Lakuma (a historical beacon of fortitude). Each portrayal is not just a role but a resurrection of cultural memory, reverberating with authenticity and elevated by her scholarly insight.

A Luminary in the Realm of Kuchipudi Dance – A Chronicle of Stellar Performances

Alekhya’s repertoire is a dazzling array of performances that have captivated audiences worldwide. On April 27, 2010, she graced the stage on International Dance Day, an event organized by the A.P. Cultural Council and the Department of Culture in Andhra Pradesh. This performance was a celebration of Kuchipudi’ s elegance, showcasing her mastery over the form’s nuanced movements and emotive storytelling.

Her artistry continued to shine at the AICT National Conference in Tarnaka, Hyderabad, on August 3, 2010, where she enthralled attendees with her impeccable technique and profound expressiveness. That same month, Alekhya performed at the Neerajanam Festival, a three-day celebration marking the completion of its inaugural year, organized by the TTD. Her performance was a highlight, reflecting her ability to weave spiritual narratives through dance.

In a special tribute to the compositions of Annamaya, Alekhya presented Hari Vilasam in Nada, a performance that resonated deeply with audiences for its devotional fervor and artistic finesse. Later that year, on October 14, 2010, she performed at the Sri Padmanabha Swamy Temple in Kerala, under the patronage of the Royal Family of Kerala, during the Navaratri celebrations. This event underscored her ability to connect with diverse audiences through the universal language of dance.

A Global Ambassador of Kuchipudi

Alekhya’s talent transcends borders, as evidenced by her international performances. In January 2011, she represented India at the International Conference of Election Commissioners in the South Asia-Pacific region, delivering a Kuchipudi performance that symbolized cultural unity and artistic excellence. The following month, on February 4, 2011, she performed at the Telugu Conference in Potti Sriramulu Telugu University, Berhampur, further solidifying her role as a cultural ambassador.

Her European engagements included a Kuchipudi performance in Berlin, Germany, on October 20, 2011, in the presence of the Indian Consulate. This event was a milestone in her career, showcasing the global appeal of Kuchipudi. Additionally, Alekhya’s performances titled Meeting with You and Me in Darmstadt and Taj Vivanta Trivandrum, organized by the German Center Trivandrum on September 26 and 30, 2011, respectively, highlighted her ability to forge emotional connections with audiences through her art.

Her dedication to the art form is evident in her rigorous training and her commitment to preserving the authenticity of Kuchipudi while making it accessible to global audiences. Alekhya’s performances are a bridge between the ancient and the contemporary, inviting viewers to explore the depths of Indian culture through the lens of dance.

A Custodian of Kuchipudi Legacy and Pedagogical Excellence

A Journey Beyond the Stage

Alekhya Punjala’s eminence in the world of Kuchipudi transcends her captivating performances, extending into the realm of education and mentorship. Renowned for her artistry, Alekhya has dedicated herself to the propagation of this classical Indian dance form, nurturing the next generation of dancers with the same fervor that has defined her illustrious career. Her multifaceted role as a performer, educator, and scholar underscores her profound commitment to preserving and advancing the cultural heritage of Kuchipudi.

A Beacon of Pedagogical Mastery

In addition to her celebrated on-stage achievements, Alekhya has been a stalwart in the academic sphere, serving as a Professor of Dance at the Department of Dance, Potti Sriramulu Telugu University. With over three decades of association with this prestigious institution, she has held esteemed positions, including Head of the Department of Dance and Dean of the School of Fine Arts. Her tenure has been marked by an unwavering dedication to fostering a deep understanding of Kuchipudi among her students, ensuring that the art form’s rich traditions are passed down with authenticity and reverence.

Alekhya’s commitment to education is further exemplified through her establishment of TRISHNA, a center dedicated to the study and propagation of Kuchipudi. For the past several years, she has devoted herself to mentoring budding and upcoming Kuchipudi artists, providing them with rigorous training and a nurturing environment to hone their craft. Through Trishna, Alekhya has created a legacy that not only preserves the technical and expressive nuances of Kuchipudi but also inspires young dancers to carry forward its cultural significance. Her vision for Trishna is to build a lasting legacy, ensuring that the art form continues to thrive in the hands of future generations.

A Scholar and Choreographer Par Excellence

Alekhya’s contributions extend beyond teaching and performance into the realms of research and choreography. Over the past thirty years, she has emerged as a preeminent exponent of both Kuchipudi and Bharata Natyam, two of India’s most revered classical dance forms. Her scholarly pursuits have enriched the academic discourse on Kuchipudi, with her research delving into the historical and cultural dimensions of the art form. As a choreographer, Alekhya has crafted innovative compositions that blend tradition with contemporary sensibilities, earning her accolades for her creative ingenuity.

A Vision for the Future

Through Trishna and her academic contributions, Alekhya continues to inspire and shape the future of Kuchipudi, fostering a new generation of artists who will carry forward the torch of this timeless tradition. Her journey is a testament to the power of art to transform lives, bridge generations, and preserve cultural heritage for posterity.

A Profound Reflection on Art by Dr. Alekhya Punjala

As a visionary artist and leader in the realm of classical Indian dance, I, Dr. Alekhya Punjala, perceive art as a transcendent force—capable of transforming, redeeming, and enrapturing the human spirit. My existence is a devoted offering to the sanctity of art, a sacred tribute to its boundless potential. Through the medium of dance, I discover the ultimate expression of my being, where my body, mind, and soul converge in harmonious unity. In the rhythmic cadence and expressive gestures of dance, I attain my Samadhi—a state of profound spiritual fulfillment and enlightenment.

Abhinaya Tapasvini: Alekhya Punjala’s Enduring Legacy

A Luminary of Classical Dance

Dr. Alekhya Punjala, revered as a jewel in the dance world, is a preeminent exponent of Kuchipudi and Bharata Natyam. Her artistry, a sublime fusion of tradition and innovation, has captivated audiences at global festivals, conferences, and seminars. Renowned for her mastery of Satvika Abhinaya, Alekhya’s portrayals of mythological heroines in solo and ballet forms have earned her acclaim as a distinguished danseuse, educator, researcher, and choreographer. Adorned in vibrant traditional attire, she embodies the essence of Indian classical dance, leaving an indelible mark on its legacy.

A Global Ambassador of Classical Dance Illuminating the World Stage with Kuchipudi and Bharata Natyam

Dr. Alekhya Punjala’s illustrious career as a Kuchipudi and Bharata Natyam exponent has seen her grace some of the most prestigious dance festivals across India and beyond. Her performances, marked by technical precision and emotive depth, have solidified her reputation as a global ambassador of Indian classical dance. Alekhya’s journey through these festivals is a testament to her unwavering commitment to preserving and promoting the rich cultural heritage of Kuchipudi, while her artistry continues to inspire audiences worldwide.

Role as Chairperson of Telangana Sangeet Nataka Academi-

Prof.Smt. Alekhya Punjala, is serving as the Chairperson of the Telangana Sangeet Natak Akademi, she has taken on the noble mission of preserving and promoting the vibrant cultural legacy of Telangana. With a deep sense of responsibility and pride, she is dedicated to showcasing Telangana’s rich artistic traditions—music, dance, and theatre—on the national stage. Her current focus lies in ensuring that the stories of Telangana’s historical icons, especially women who played pivotal roles in shaping its cultural and revolutionary landscape, are brought to life through compelling performances. Today’s production is yet another step in that direction, aiming to spotlight the extraordinary journey of a remarkable woman—an unsung revolutionary who made a lasting impact on the history of Telangana. Through such efforts, the Akademi not only preserves the past but also inspires future generations to appreciate and celebrate their cultural roots.

A Chronicle of Prestigious Performances

Alekhya Punjala’s presence has adorned numerous esteemed dance festivals, each performance a celebration of her mastery and dedication. Below is a comprehensive list of the significant festivals where she has showcased her artistry

• Dance Festivals by Andhra Pradesh Sangeeta Nataka Academy and Nrittya Academy (1977-79) A series of events that marked her early prominence in the classical dance circuit.
  
• Kal-Ke-Kalakar Sammelan, Bombay (1981) – A platform for emerging artists, where Alekhya’s talent shone brightly.
  
• Haridas Sammelan, Bombay (1981) – A festival celebrating classical arts, where her performance was a highlight.
  
• Khajuraho Dance Festival, Madhya Pradesh (1989) – A prestigious event where Alekhya captivated audiences with her expressive abhinaya.
  
• Sangeet Natak Academy’s Young Dancers Festival, Bhubaneshwar (1989) – A showcase of her burgeoning talent among India’s finest young dancers.
  
• Swamy Haridas Samaroh, Brindavan (1990) – A spiritually charged festival where her performance resonated deeply.
  
• Kuchipudi Dance Festival, Telugu University, Kuchipudi (1991) – A celebration of her roots in Kuchipudi, held at a revered institution.
  
• Kallidas Samaroh, Ujjain (1991) – A festival honoring classical arts, where Alekhya’s artistry was lauded.
  
• Kuchipudi Festival, Bangalore (1992) – A significant event in the Kuchipudi calendar, marked by her stellar performance.
  
• Kuchipudi Mahotsav, Bombay (1993) – A grand celebration of Kuchipudi, where Alekhya’s mastery was on full display.
  
• Nrityotsav, Sangeet Natak Academy, Hyderabad (1994) – A festival that highlighted her technical finesse and emotive storytelling.
  
• Festival of Hyderabad, Department of Culture, Hyderabad (1994) – A cultural extravaganza where Alekhya represented Kuchipudi with distinction.
  
• Nrityotsav, Central Sangeet Natak Academy, Hyderabad (1995) – A prestigious event showcasing her continued excellence.
  
• Yakshagana Festival, Central Sangeet Natak Academy, Hyderabad (1995) – A platform where her versatility in classical forms was evident.
  
• Dance Ballet Festivals, Department of Culture, Hyderabad (1996) – A festival where her choreographic brilliance in dance ballets was celebrated.
  
• Trinity Sammelan, Hyderabad (1996) – A significant cultural event where Alekhya’s performance was a highlight.
  Dance Festivals organized by Sangeet Natak Academy to commemorate the 50th year of India’s Independence, Kalakshetra, Madras (1997) – A historic celebration where Alekhya honored India’s cultural legacy.
  
• KinKin Dance Festival, Bangalore (1998) – A festival that showcased her innovative approach to classical dance.
  
• Khajuraho Dance Festival, Madhya Pradesh (1999) – A return to this iconic festival, further cementing her legacy.
  
• SICA Nrityotsav, Hyderabad (2000) – A cultural event where her performance was a standout.
  
• Soorya Festival, Trivandrum (2001) – A festival in Kerala where Alekhya’s artistry transcended regional boundaries.
  
• Indur Festival, Nizamabad (2001) – A local celebration where her performance brought Kuchipudi to the forefront.
  
• India International Centre, New Delhi (2001) – A prestigious venue where Alekhya represented Indian classical dance on a global stage.

Continuing from her earlier achievements, Alekhya Punjala has performed at numerous esteemed festivals, each a testament to her artistry and global influence. Below is the continuation of her remarkable journey through dance festivals:

• Konark Dance Festival, Bhubaneshwar (December 2001) – A prestigious festival where Alekhya’s performance illuminated the cultural heritage of Kuchipudi.
  
• Karthik Fine Arts ‘December Festival’, Chennai (January 2002) – A celebrated event in Chennai’s cultural calendar, marked by her captivating artistry.
  Andhra Pradesh Music and Dance Festival, Hyderabad (November 2002) – A platform where Alekhya showcased the richness of Kuchipudi to local audiences.
  
• Kalakshetra Art Festival, Chennai (December 2002) – A festival at the renowned Kalakshetra, where her performance was a highlight.
  
• Natyajali Dance Festival, Chidambaram (2003) – A spiritually significant event where Alekhya’s dance resonated with divine narratives.
  
• Parangat Festival, Hyderabad (2004) – A cultural celebration where her artistry shone brightly.
  
• Nritya Sammelan, Raipur (2005) – A festival that highlighted her technical finesse and emotive depth.
  
• Sangeet Utsav, Mauritius (2005) – An international event where Alekhya represented Indian classical dance with distinction.
  
• Vishwarupa Festival, Udupi (2005) – A festival where her performance captivated audiences with its spiritual resonance.
  
• Dance and Drama Festival, Hyderabad (2005) – A local event where Alekhya’s artistry was celebrated.
  
• Kuchipudi Nrityotsav, Kuchipudi (2006) – A festival dedicated to Kuchipudi, where her mastery was on full display.
  
• Sangeeta Vidwat Sabha, Music and Dance Festival, Kakinada (2007) – A cultural gathering where Alekhya’s performance was a standout.
  
• Vaggeyakara Dance Festival, Hyderabad (2007) – A festival celebrating classical traditions, marked by her innovative interpretations.
  
• Parangotsava Music and Dance Festival, Mysore (2008) – A prestigious event where Alekhya’s artistry was lauded.
  
• Golconda Music and Dance Festival, Hyderabad (2008) – A local festival where her performance brought Kuchipudi to the forefront.
  
• Festival of New Choreography, New Delhi (2008) – A platform for innovation, where Alekhya showcased her choreographic brilliance.
  
• Vadakunthan Swamy Mahasivarathri Dance Festival, Thrissur, Kerala (February 2008) – A spiritually charged festival where her dance resonated deeply.
  
• Jaggaihapeta Festival (2008) – A regional event where Alekhya’s performance was a highlight.
  
• Dharani Dance Festival, Cochin (November 2009) – A festival in Kerala where her artistry transcended regional boundaries.
  
• Kuchipudi Natyotsav, Hyderabad (December 2009) – A grand celebration of Kuchipudi, where Alekhya’s mastery was evident.
  
• Krishna Gana Sabha Dance Festival, Chennai (January 2010) – A renowned festival where her performance was a highlight.
  
• International Dance Day, Hyderabad (April 2010) – A global celebration where Alekhya represented Kuchipudi with distinction.
  
• Krishna Deva Raya Festival, Penukonda, Andhra Pradesh (August 2010) – A festival honoring historical legacy, marked by her evocative performance.
  
• UTSAW-Abhinaya Festival, New Delhi (August 2010) – A cultural event in the capital where Alekhya’s artistry was celebrated.
  

Her journey through these festivals underscores her role as a cultural ambassador, whose dedication to classical dance continues to inspire and educate. Alekhya Punjala remains a beacon of excellence, her legacy a testament to the enduring power of art to transcend boundaries and unite hearts.

Naadanerajanam, Thirumala (August 2010) – A culturally significant event where Alekhya’s performance resonated with spiritual depth.
Abhinaya-Soul of Dance, a National Level Dance Festival, New Delhi (August 12th, 2010) – A prestigious festival showcasing her mastery of abhinaya.
Kuchipudi Dance Performance at the Inaugural Function of ‘Silicon Andhra International Kuchipudi Conference’, Hyderabad (December 24th, 2010) – A landmark event where Alekhya represented Kuchipudi on an international stage.
Performance with German Contemporary Dancer Victoria Hauke, ‘Meeting with You and Me’, Inaugural Function, Hyderabad (September 24th, 2011) – A cross-cultural collaboration highlighting her versatility.
National Music and Dance Festival, Thrissur (November 2nd, 2011) – A festival where her performance was a highlight of classical artistry.
National Music and Dance Festival, Calicut (November 5th, 2011) – A cultural event where Alekhya’s artistry captivated audiences.
Kalanadam Dance Festival, Bangalore (November 13th, 2011) – A platform where her technical finesse and emotive storytelling shone.
Ammavari Brahmotsavalu, Tiruchanur, Tirupathi (November 20th, 2011) – A spiritually charged festival where her dance resonated deeply.
Shankar Deva Festival, Dasa Kalakshetra, Guwahati (January 4th, 2012) – A festival celebrating classical traditions, marked by her evocative performance.
Samavesh Dance Festival, Kalakshetra, Chennai (February 2nd, 2012) – A renowned event where Alekhya’s artistry was celebrated.
Music and Dance Festival ‘Mandakini’, Kuchipudi Dance Ballet, Andhra Music Academy, Kalabharathi, Vizag (February 14th, 2012) – A festival where her choreographic brilliance in dance ballets was showcased.
All India Kuchipudi Dance Festival, Mumbai (March 2nd, 2012) – A grand celebration of Kuchipudi, where Alekhya’s mastery was on display.
Upasanas, Jhankar Utsav, a National Festival of Classical Dances, New Delhi (April 12th, 2012) – A national event where Alekhya represented Kuchipudi with distinction.
Mahishasura Mardhini’, Dharmik Sammelan, SVBC Channel and Annamaki TV, Hyderabad (July 1st, 2012) – A spiritually significant performance broadcasted widely.
Kalakshetra Festival, Chennai (2012) – A return to the iconic Kalakshetra, where her performance was a highlight.
National Dance Festival, P.S. Telugu University, Hyderabad (2016) – A festival where Alekhya’s artistry continued to inspire.
World Telugu Conference, Hyderabad (2017) – A global event celebrating Telugu culture, marked by her stellar performance.

Her journey through these festivals underscores her role as a cultural ambassador, whose dedication to classical dance continues to inspire and educate. Alekhya Punjala remains a beacon of excellence, her legacy a testament to the enduring power of art to transcend boundaries and unite hearts.

A Global Emissary of Kuchipudi and Bharata Natyam –Transcending Borders with Classical Dance

Dr. Alekhya Punjala has carried the elegance of Kuchipudi and Bharata Natyam to international stages, performing and lecturing across the globe. Her tours, spanning from 1987 to 2011, include prestigious engagements in Syria, Abu Dhabi, Qatar, Bahrain, the USA, Canada, Turkey, Cyprus, Lebanon, the UK, Mauritius, Germany, and more, often under the aegis of the Indian Council for Cultural Relations and other esteemed organizations. Notable highlights include her performances at the World Tourism Mart in London (2002), the Sapna 60th Annamacharya Jayanthi Celebrations in Chicago (2008), and the European Telugu Association Conference in London (2009). Alekhya also enriched global audiences with lecture-demonstrations on the intricacies of Kuchipudi and Bharata Natyam at various universities.

Adorned in traditional attire, as seen in her vibrant pink and green costume with intricate jewelry, Alekhya embodies the essence of Indian classical dance, fostering cultural exchange and appreciation worldwide.

Master of Dance Ballets Bringing Mythology to Life Through Choreography

Dr. Alekhya Punjala has distinguished herself as a choreographer of exceptional dance ballets, seamlessly transitioning from a solo performer to a creator of mythological narratives. Her works, including Alamelu Manga, Krishna and Gopika, Prahalada, Parvati, Lakshmi, Tilla Kali, Durga, Rukmini, Parvati (Hara Vilasam), Mandakini, Parvati (Shankara Pallaki Seva Prabhandam), Satyabhama, Stri, and Rukmini (Sri Krishna Parijatam), have garnered widespread acclaim. These ballets, rooted in compositions like Saint Annamacharya’s and Thyagaraja’s, vividly portray divine characters, earning Alekhya rave reviews for her emotive and innovative storytelling.

Reviving and Reimagining Kuchipudi Dance DramasA Legacy of Narrative Artistry

• Sasirekha Parinayam (February 2001) – Alekhya played a pivotal role in reviving this Kuchipudi dance drama after a 40-year hiatus, taking charge of its production and presenting the first Sasirekha of the ‘Rasa’ story.
  
• Andal Kalyanam (2003) – A beautifully choreographed piece showcasing the divine union of Andal, steeped in devotional fervor.
  
• Draupadi Nartana Sala (2004) – A powerful depiction of Draupadi’s grace and resilience through dance.
  
• Radha Bakthavatsala Vilas Natak (2006) – A narrative ballet capturing Radha’s devotion, blending emotive abhinaya with intricate movements.
  
• Premamati: Taramati The Legend of an Artist (February 2009) – A thematic exploration of Taramati’s life, highlighting her artistic legacy.
  
• Annamayya Hari Vilasam (May 15th, 2010, Eluru) – A Kuchipudi dance performance based solely on Saint Annamacharya’s compositions, showcasing spiritual depth.
  
• Ashtavidha Nayikas (August 8th, 2010) – A specially choreographed Kuchipudi performance presented at the valedictory program of the State-level Sri Krishna Devaraya Festival in Penukonda, organized by the Department of Culture A.P. and A.P. State Cultural Council.

Draped in cultural regalia, evident in her resplendent maroon and gold costume with intricate jewelry, Alekhya’s choreography embodies the essence of Kuchipudi, blending tradition with creativity to captivate audiences. Her work continues to preserve and reimagine the narrative richness of Kuchipudi dance dramas, ensuring their relevance for future generations.

A Maestro of Kuchipudi Choreography and Dance DramasReviving Tradition Through Innovative Narratives

Dr. Alekhya Punjala’s journey in Kuchipudi is marked by her exceptional choreography and revival of dance dramas, blending tradition with innovation. Initially mentored by Dr. Uma Rama Rao, she later choreographed numerous solo items and ballets, earning acclaim for her narrative depth.

Choreographed Works

Woman, Thy Myriad Moods – A ballet visualizing women in mythology through saints and poets.
Annamacharya Pada Nrithyanjali – A thematic presentation of Annamacharya’s kirthanas.
Poetry Through Dance – A contemporary Telugu presentation for the Poetry Society of India.
Andal Kalyanam – Depicts the mythological wedding of Lord Vishnu and Andal during Dhanurmasam.
Path-O-Pathick – Explores the spiritual awakening of man.
Andhra Natya Kalaivaibhavam – Presented at the Andhra Pradesh Music and Dance Festival (January 2002), spanning Kuchipudi’s history.
Jalageetham – A thematic dance on Dr. Gopi’s poem on water (December 2002).
Annamayya Hari Vilasam – A Kuchipudi dance on Saint Annamacharya’s compositions (June 2007).
Lakuma Swantam – Based on Lakuma Devi’s life, a 14th-century courtesan (2007).
Vasanta – Cupid Beckons – A group choreography (March 2008).
Raat Phoolon Ki – Urdu poetry by Maqdoom (April 2008).
Durga – The Divine Mother – A thematic group presentation (October 2008).
Taramati The Legend of an Artist – Premamati – A new facet of Taramati (February 2009).
Bhama Kalapam – A full-length group presentation (April 2010).
Telugu Tejam – Choreographed for 150 years of Congress Centenary Celebrations, Government of A.P. (November 18th, 2010).
Nayaki – Performed in 2013.
Rudrama – The Kakatiya Warrior Queen – Presented in 2015.
Mandodari – Queen and Her Dilemma – Choreographed in 2018.
Rani Velu Nachiyar – In Warrior Women of Bharat – Performed in 2022.
Dushala – A Theatrical Presentation in Hindi of Pritam Chakraborty’s Dushala – Presented in 2023.
Sasirekha Parinayam (February 2001) – Revived after 40 years, presenting the first Sasirekha of the ‘Rasa’ story.
Andal Kalyanam (2003) – Depicts Andal’s divine union.
Draupadi Nartana Sala (2004) – Showcases Draupadi’s grace.
Radha Bakthavatsala Vilas Natak (2006) – Captures Radha’s devotion.
Premamati: Taramati The Legend of an Artist (February 2009) – Explores Taramati’s legacy, earning rave reviews for its enthralling manner.
Annamayya Hari Vilasam (May 15th, 2010, Eluru) – Based on Annamacharya’s compositions.
Ashtavidha Nayikas (August 8th, 2010) – Presented at Sri Krishna Devaraya Festival, Penukonda, by the Department of Culture A.P.
Meeting with You and Me – A unique Kuchipudi and contemporary dance collaboration with Victoria Hauke at Birla Planetarium, Hyderabad, organized by Goethe Zentrum (March 5th, 2011).
Tribute to Rabindranath Tagore – Choreographed for Sri Krishna Gana Sabha, Chennai (July 1st, 2011).
Tribute to King Swati Tirunal – Presented in Trivandrum (October 14th, 2011).
Adhyatmika Sankeerthanas – Performed at Sri Thyagaraya Gana Sabha, Hyderabad (November 10th, 2011).

Audio-Visual Contributions

Alekhya has also been featured on All-India Radio and leading television channels for her contributions to Kuchipudi. Draped in cultural regalia, evident in her resplendent costumes with intricate jewelry, Alekhya’s choreography embodies the essence of Kuchipudi, blending tradition with creativity to captivate audiences.

A Luminary in Kuchipudi Scholarship and Discourse –Elevating Classical Dance Through Intellectual Engagement

Dr. Alekhya Punjala’s erudition in Kuchipudi has profoundly enriched the academic and cultural discourse surrounding Indian classical dance. Her participation in seminars and conferences, both national and international, underscores her role as a thought leader, blending scholarly insight with artistic mastery.

Seminars and Conferences

• National Seminar on National Integration Bhakti Movement: ‘Madura Bhakti in Classical Dance’, Department of Comparative Studies, Potti Sriramulu Telugu University (PSTU), February 28th, 1992.
  
• National Seminar on Literature and Allied Arts: ‘Literature and Dance’, Department of Comparative Studies, PSTU, January 1992.
  
• Seminar on Kshetrayya Kshetrayya Padas: ‘Lecture Demonstration’, PSTU, Kshetrayya Kalasamithi, December 1996.
  
• National Seminar on Jayadeva: ‘Practical Presentation of Ashtapadis from Gita Govinda’, Department of Comparative Studies, PSTU.
  
• Innovative Trends in Kuchipudi Dance: ‘Practical Presentation of Latest Works’, Central Sangeet Natak Academy, New Delhi, February 1997.
  
• Vedic Forum, TANA Conference: ‘Natyasastra as Fifth Veda’, Telugu Association of North America, USA, July 1997.
  
• National Dance Seminar: ‘Kuchipudi Dance – Tradition and Innovation’, Sambhavi Dance Theatre and Department of Kannada Culture.
  
• National Seminar: ‘Expansion in the Kuchipudi Repertoire’, PSTU, Central University of Hyderabad, Telugu Association, Bombay, December 1998.
  
• National Seminar on Bharatanatyam: ‘Tradition and Innovation’, Sankarandha Kalakshetra, Hyderabad, April 1999.
  
• Seminar on Kuchipudi Dance: ‘Innovative Trends in Andhra Pradesh’, Cultural Council, October 2000.
  
• Seminar on Dance and Music: ‘Classical Indian Dance, Its Place in Today’s Society and Future Concerns’, Sanathana Dharma Trust, January 26th, 2002.
  
• National Seminar: ‘Performers and their Arts – Changing Lives, Changing Forms’, Central University of Hyderabad, University of Glasgow.
  
• All India Women Conference, Indira Priyadarshini Auditorium.
  
• All India Telugu Women Writers Conference: ‘Women – Thy Myriad Moods’, PSTU, March 2002.
  
• National Seminar on Drama: ‘A Trans-Cultural Survey’, Osmania University, December 2002.
  
• International Seminar on Philosophical Dimensions in Performing Arts, SAPNA & PSTU, December 2004.
  
• Silicon Andhra International Kuchipudi Conference: ‘Padabhinaya in Kuchipudi Dance’, USA, 2008.
  
• National Seminar: ‘Re-Imaging the Image – Traditional Images Present – Continuous’, Hyderabad Central University, February 2009.
  
• National Seminar on Bhama Kalapam: ‘Lecture Demonstration on Satyabhama in Mathrubhutha Kavi’s Parijatapaharanam’, Kinnera Art Theatre, February 2009.
  
• Colloquium on 50 Years of Kuchipudi Dance: ‘Teaching Methodology in Universities’, Hyderabad Central University, March 2009.
  
• National Seminar on Sri Narayana Guru: ‘Caste System in Performing Arts’, PSTU, August 2009.
  
• Lecture Demonstration: ‘A Comparative Study of Satyabhama and Siddhra Yogis Bhramakalapam and Mathrubhutha Kavi’s Parijatapaharanam’, Silicon
• Andhra International Kuchipudi Conference, HICC Hyderabad, December 24th, 2010.
  
• Paper Presentation: ‘Classical Dance – A Must in Today’s Education System’, 9th World Telugu Conference, Mauritius, 2011.
  
• National UGC Seminar, 19th & 20th December 2011, KJRL College Bhimavaram: ‘Women in Politics – Their Role in Strengthening Democracy’, December 20th, 2011.

Draped in cultural regalia, evident in her resplendent red and green costume with intricate jewelry, Alekhya’s scholarly contributions illuminate the intellectual dimensions of Kuchipudi, fostering a deeper appreciation of its cultural and artistic significance.

A Vanguard in Kuchipudi Pedagogy and Mentorship –Fostering the Next Generation of Dance Virtuosos

Dr. Alekhya Punjala’s dedication to Kuchipudi extends beyond performance, as she has been a pivotal figure in nurturing talent through meticulously curated workshops and mentorship programs. Her efforts have significantly contributed to the perpetuation and evolution of this classical art form.

Workshops and Mentorship Engagements

• Workshop on Temple Ritual Dances, Thyagaraja Government College of Music & Dance, 1987.
  
• Workshop on Kshetrayya Padabhinaya, Department of Dance, Potti Sriramulu Telugu University (PSTU), March 1996.
  
• Workshop on Kirtanabhinaya, Department of Dance, PSTU, February 1998.
  
• Workshop on ‘Sasirekha Parinayam’ Kuchipudi Yakshaganam, Central Sangeet Natak Akademi & University of Hyderabad, September 2000.
  
• Workshop on ‘Usha Parinayam’ Kuchipudi Yakshaganam, Department of Dance, PSTU, January 2001.
  
• Workshop on Kuchipudi Dance, Department of Culture, Andhra Pradesh, April 2001.
  
• Workshop on Bhamakalapam, Department of Dance, PSTU, August 2001.
  
• Workshop on Abhinaya, USA, 2008.
  
• Workshop on Bhamakalapam, PSTU, February 2009.
  
• Workshop on Nritya Abhinaya, Department of Dance, PSTU, Hyderabad, March 2009.
  
• Convener for the National Dance Festival, PSTU, involving artists and scholars, with a seminar on January 24th and 25th, 2011.
  
• Resource Person: Workshop for National Dance Scholarship Holders, Centre for Cultural Resources and Training (CCRT), New Delhi, July 25th to 31st, 2011.
  
• Resource Person: Workshop for Young Dance Enthusiasts and Scholars, Kerala Sangeet Natak Akademi, Thrissur, Trivandrum, and Calicut, November 1st to 6th, 2011.
  
• Speaker in the Panel Discussion ‘Art of the Matter’, Hyderabad Literary Festival with Smt. Vidya Rao, Smt. Preetam Choudhary, January 18th, 2012, at Taramati Baradari, Hyderabad.
  
• Panelist in ‘Women and Their Position in the Last Ten Years’, Nari Bheri for ETV Television Channel, February 25th, 2012.

Research Endeavors of Alekhya Punjala

Alekhya Punjala, a distinguished scholar and cultural connoisseur, has made significant contributions to the realm of Indian classical arts and literature through her meticulously curated research projects. Her work exemplifies a profound dedication to preserving and interpreting the rich tapestry of India’s cultural heritage.

• Thanjavur Yakshaganam Vishnupallaki Seva Prabhadam
  Conducted at the Department of Culture, Andhra Pradesh, Sangeet Natak Akademi, New Delhi, in 1996, this project delves into the intricate traditions of Thanjavur Yakshaganam, a classical dance-drama form.
• Saadhvi Rukmini Based on Tarangams of Sri Narayana Tirtha
  Presented at Kalidas Samaroh, Ujjain, in 1990, this research explores the spiritual and artistic dimensions of Tarangams, showcasing the devotional legacy of Sri Narayana Tirtha.
• Chitrakuta Mahatyam Yakshagana of Tirumala Kavi of 16th Century
  Undertaken at the Department of Culture, Andhra Pradesh, Nauka Charita of Saint Thyagaraja, Thyagaraja Utsav Committee, Chicago, United States of America, in 1997, this project illuminates the historical and cultural significance of 16th-century Yakshagana traditions.
• Mandakini of Kakuturi Padmavyati Contemporary Poetess
  Conducted at Sangeet Natak Akademi, New Delhi, in 1998, this study celebrates the lyrical brilliance of Kakuturi Padmavyati, a modern poetess, through the lens of Mandakini.
• Durgasura Samharam Yakshaganam
  A detailed exploration of the Yakshaganam tradition, focusing on the narrative of Durgasura Samharam, highlighting its cultural and performative depth.
• Sankara Pallaki Seva Prabhandem
  Presented at Sangeet Natak Akademi, New Delhi, in 1999, this project examines the devotional and artistic elements of Sankara Pallaki Seva Prabhandem, a significant cultural offering.
• Woman – Thy Myriad Moods
  Conducted at RASA in 2000, this research encapsulates the multifaceted expressions of womanhood, blending traditional and contemporary perspectives.
• Trinetriya Sangamam
  Presented at Shipyaram in 2000, this project explores the confluence of artistic traditions, symbolizing a harmonious blend of cultural narratives.
• Andal Kalyanam – Mahati Arts
  Conducted in 2001, this project delves into the divine matrimonial narrative of Andal, a revered figure in South Indian tradition, through the lens of Mahati Arts.
• Poetry Through Dance
  Presented at the Poetry Society of India in 2001, this work examines the symbiotic relationship between poetry and dance, showcasing their intertwined expressive potential.
• Jalageetam – A Dance Narrative on Water, Its Origin, Flow, Pollution, and Present Need
  Conducted in 2002, this project addresses the critical theme of water, weaving a narrative through dance to highlight its origins, flow, pollution, and contemporary significance.
• Sasirekha Parinayam – RASA
  Presented in 2001, this research revives a traditional Kuchipudi dance drama, Sasirekha Parinayam, which had been dormant for nearly 40 years, breathing new life into this classical art form.

Alekhya Punjala’s scholarly pursuits, as evidenced by these projects, reflect her unwavering commitment to the preservation and propagation of India’s classical arts. Her work continues to inspire and educate, bridging the past and present through the medium of dance, poetry, and cultural narratives.

Professional Interests of Alekhya Punjala

Alekhya Punjala, a luminary in the realm of southern classical dance, is driven by a profound commitment to the preservation and propagation of this venerable art form. Her professional pursuits are meticulously delineated as follows:

• Revitalization and Dissemination of Classical Dance Forms
  Alekhya endeavors to resuscitate and perpetuate the waning traditions of southern classical dance, ensuring their enduring legacy through meticulous preservation and widespread dissemination.
• Fostering Cultural Synergy through Dance
  She aspires to orchestrate a comparative study between Western and Indian classical dance forms, harnessing their confluence to cultivate peace, love, and a deeper understanding of humanity’s cultural tapestry.
• Leveraging Multimedia for Cultural Advocacy
  Alekhya is dedicated to employing multimedia platforms to amplify awareness of the rich heritage and cultural profundity embedded in Indian classical dance, making it accessible to a global audience.
• Archiving Pedagogical Legacies
  Her mission includes the preservation and documentation of the pedagogical methodologies and contributions of living legends in the field of dance, safeguarding their invaluable socializations for posterity.
• Curating a Repository of Dance Literature
  Alekhya is committed to amassing a comprehensive collection of literature and music pertinent to dance, creating a robust foundation for scholarly research and posterity.
• Innovating Pedagogical Frameworks
  She seeks to introduce multi-disciplinary courses that interweave tradition and culture, offering a thrust on innovation while remaining deeply rooted in classical ethos.
• Facilitating Global Cultural Exchange
  Alekhya aims to establish exchange programs at the university level, fostering cross-cultural dialogue and collaboration through the universal language of dance.
• Establishing a Museum of Dance Artifacts
  Her vision encompasses the creation of a museum dedicated to dance artifacts, encompassing traditional attire, instruments, jewelry, photography, and other ephemera, preserving the tangible heritage of this art form.

Through these endeavors, Alekhya Punjala exemplifies an unwavering dedication to the enrichment and global appreciation of southern classical dance, ensuring its resonance across generations.

Memberships of Alekhya Punjala

Alekhya Punjala, a distinguished exponent of southern classical dance, holds esteemed affiliations with numerous prestigious bodies, reflecting her profound dedication to the art form. Her memberships are delineated as follows:

• Paper Setter for Theory Examinations
  Alekhya serves as a paper setter for University Certificate and Diploma examinations in Dance, ensuring academic rigor in the theoretical evaluation of the discipline.
• Paper Setter for Sri Venkateswara University, Tirupati
  She contributes her expertise as a paper setter for theory examinations conducted by Sri Venkateswara University, Tirupati, upholding scholarly standards.
• External Examiner for Practical Examinations
  Alekhya acts as an external examiner for Practical Examinations in Diploma and Certificate Courses, ensuring meticulous assessment of performative excellence.
• Judge for State-Level Dance Competitions
  She adjudicates several state-level dance competitions, bringing her discerning eye to the evaluation of emerging talent.
• Member, Board of Studies (Dance), Potti Sriramulu Telugu University
  Alekhya is a member of the Board of Studies in Dance at Potti Sriramulu Telugu University, shaping the academic framework of dance education.
• Member, Selection Board, C.C.R.T.
  She holds a position on the Selection Board of the Centre for Cultural Resources and Training (C.C.R.T.), contributing to the identification of cultural talent.
• Member, Academic Staff Association, Potti Sriramulu Telugu University
  Alekhya is an active member of the Academic Staff Association at Potti Sriramulu Telugu University, fostering academic collaboration.
• Member, Organizing Committee, Nrityotsav 1997, Sangeet Natak Akademi, New Delhi
  She served on the Organizing Committee for Nrityotsav 1997, hosted by Sangeet Natak Akademi, New Delhi, facilitating a landmark cultural event.
• Member, Osmania Graduates Association, Hyderabad
  Alekhya is a member of the Osmania Graduates Association in Hyderabad, engaging with a network of academic professionals.
• Founder Member, R.A.S.A.—A Forum for the Promotion of Fine Arts
  She is a founder member of R.A.S.A., a forum dedicated to the promotion of fine arts, championing cultural enrichment.
• Member, Advisory Board, Kamala Nehru Polytechnic for Women
  Alekhya serves on the Advisory Board of Kamala Nehru Polytechnic for Women, guiding institutional initiatives.
• Member, Indian National Theatre, Hyderabad
  She is a member of the Indian National Theatre in Hyderabad, contributing to the advancement of theatrical arts.
• Member, Selection Panel, National Scholarships for Kuchipudi Dance, Ministry of Culture, New Delhi
  Alekhya is part of the selection panel for National Scholarships in Kuchipudi Dance under the Ministry of Culture, New Delhi, nurturing future talent.
• Member, Advisory Board of Indian Council for Cultural Relations, Andhra Pradesh
  She serves on the Advisory Board of the Indian Council for Cultural Relations in Andhra Pradesh, promoting cultural diplomacy.
• Member, Programme Advisory Committee, Doordarshan and All India Radio (Prasar Bharathi), A.P., Hyderabad
  Alekhya is a member of the Programme Advisory Committee for Doordarshan and All India Radio (Prasar Bharathi) in Andhra Pradesh, shaping cultural programming.
• Member, Board of Studies, Rajiv Gandhi, IIIT University, Hyderabad
  She contributes to the Board of Studies at Rajiv Gandhi IIIT University, Hyderabad, integrating cultural perspectives into academic curricula.

Through these affiliations, Alekhya Punjala exemplifies her unwavering commitment to the advancement of classical dance and cultural education on both national and regional platforms.

Participation in Community Extension Services by Alekhya Punjala

Alekhya Punjala, a venerated figure in southern classical dance, exemplifies a profound commitment to community engagement through her extensive contributions to cultural and educational initiatives. Her participation in community extension services is articulated as follows:

Recipient of the President’s Guide Award
As an active Girl Guide, Alekhya was honored with the prestigious President’s Guide Award by the late Shri Fakruddin Ali Ahmed, then President of India, recognizing her exemplary service.

Engagement in Jammabhumi Programs
She actively participated in the Jammabhumi programs conducted by the University, contributing to community development through cultural outreach.

Choreography for Social Advocacy
Alekhya assisted in the choreography and presentation of thematic performances addressing critical social issues such as peace, truth, prohibition, caste discrimination, ahimsa, brain-drain, national integration, and issues concerning women, performed in the august presence of dignitaries including the President of India and Governors.

Choreography for Kamala Nehru Jubilee
She choreographed and directed a tableau for the late Smt. Kamala Nehru on the occasion of the silver jubilee celebration of Kamala Nehru Polytechnic for Women, Hyderabad, commemorating a significant milestone.

Lecture-Demonstrations on Kuchipudi for Rural Schools
Alekhya delivered lecture-demonstrations on Kuchipudi dance at various rural schools, fostering awareness of this rich classical dance heritage among schoolchildren, organized by IRCEN, New Delhi.

Educational Outreach for Teachers
She conducted lecture-demonstrations on Kuchipudi dance for teachers during several C.C.R.T. training programs, enhancing pedagogical understanding of classical dance.

Adjudication in Classical Dance Competitions
Alekhya served as a judge for numerous classical dance competitions for children, students at school and college levels, employees of telecommunication, central excise departments, and various reputed cultural organizations, nurturing talent across diverse sectors.

Resource Person for Osmania University
She contributed as a Resource Person for a refresher course for teaching faculty at Osmania University, Hyderabad, enriching academic discourse with her expertise in classical dance.

Through these endeavors, Alekhya Punjala illustrates a relentless dedication to cultural dissemination and community upliftment, bridging tradition with societal progress.